Fragments, Immersivity, and Reception: Punchdrunk on Aeschylus’ Kabeiroi

Metatheatre in Aeschylus’ Oresteia

Lionel Abel coined the word ‘metatheatre’ in his 1963 book, Metatheatre: A New View of Dramatic Form, claiming he had discovered a new type of theatre, and cited Shakespeare’s Hamlet as the first metatheatrical play. Over the intervening decades, various scholars have pushed the incidence of the earliest metatheatrical play back beyond Hamlet. Richard Hornby, in his 1986 book, Drama, Metadrama,...

Sophrosyne in Aeschylus

on semihypergroups and hypergroups

in this thesis, first the notion of weak mutual associativity (w.m.a.) and the necessary and sufficient condition for a $(l,gamma)$-associated hypersemigroup $(h, ast)$ derived from some family of $lesssim$-preordered semigroups to be a hypergroup, are given. second, by proving the fact that the concrete categories, semihypergroups and hypergroups have not free objects we will introduce t...

compactifications and function spaces on weighted semigruops

chapter one is devoted to a moderate discussion on preliminaries, according to our requirements. chapter two which is based on our work in (24) is devoted introducting weighted semigroups (s, w), and studying some famous function spaces on them, especially the relations between go (s, w) and other function speces are invesigated. in fact this chapter is a complement to (32). one of the main fea...

Legal Action: The Trial As Theater in Aeschylus' Oresteia

Aeschylus' Oresteia is a key text for analyzing the relationship between law and drama both because it includes the earliest surviving instance of a trial scene in western drama and because it is explicitly concerned with the nature of trials, telling a story of repeated conflict that can only be resolved by the invention of the trial as a new form of action. First produced in Athens in 458 B.C...